BLOG-O-RAMAS

OLD MAN BLADDER

First off, happy to say that Winterbeard Records is celebrating landing 2 festivals for Prince Perry this week. No one has attempted to steal a trombone from the studio this week – so far…  Outbred Inlaws have been mastered and off to the presses. Going to send off the Thundermonks Ep to mastering (Benoit) today or tomorrow.

This morning I was doing my walk down Broadview avenue trying to get enough steps in (a few more thousand will do) and then Old Man Bladder rang me up. I hopped the streetcar and walked down from Dundas. Just as I was getting withing peeing distance of the studio there was this guy pissing in the parking lot. Was that all I had to do? Should of thought of it first. Maybe before having 2 cups of tea on my way out the door. tsk tsk

Mixing Hear, Comes The Cavalry this morning. Thinking about panning and that yesterday a nine year old boy was telling me he’d seen Kick Ass the movie this past weekend. A little more inappropriate than urinating in a public parking lot at 8:30 am.

Time to print the vocals to tape.

JUNO WHAT I MEAN?

Congrats to Richard G. Benoit who mastered the Francophone Album Of The Year (Andrea Lindsay). Richard had also mastered another nominee, Kirsten Jones’ Mad Mile that was up for the Engineering award (Denis Tougas). Unfortunately, Denis did not get the award, but I was happy to have been a part of such a tasty record and I enjoyed the nomination in a second banana way as I recorded some of the overdubs here at Slaughterhouse 754. There’s a little pat on my back.

Here’s a taste of our co-write that made it on Mad Mile. This clip is a rough cut with the reference audio (a little hissy to say the least), hope they put the cleaner and juicier final mix by next week.

Kirsten Jones – Save Your Love

COUGHING INTO OUR HANDS

It’s a fight to the finish. Recently, I’ve discontinued reading novels in favour of trying to learn Portuguese on public transit. I have a Portuguese In 3 Months book. I’m trying to absorb as much of it as I can before I go on vacation there. When my brain feels like it’s going to explode and I can’t take any more ish and eshge-es I turn to lighter fare, like counting the number of people reading on transit versus those listening to their ipods. I disqualify those doing both at the same time – cancels out. It’s a slightly more pleasant game than counting the number of people who cough into their hands and then grab a pole on their way out so their gift of the germ remains.

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SLAUGHTERHOUSE GAMES

The score 1 – 0 for me. Last week, the contestant tried stealing a trombone along with my volume of Walt Whitman. Thanks to the trombone being so awkward to take through the door while carrying a bag of my books (Walt Whitman being the heaviest) they lost their point when they were stopped before leaving the building.

Anyone else nutty enough to try?

The Josiah record is in mid wrap-up. Hard to believe, I know, but Richard G. Benoit has mastered the tracks and sequenced them. I did receive a phone call from J. about possibly redoing the chorus to one of the songs. Not sure if he’ll go the distance with that one, but I may be spending a couple of hours working on it further before the week is out.

In the middle of mixing Thundermonks right now. The Outbred Inlaws are getting their CD mastered this week and then it’s Hear, Comes The Cavalry on the bench to be mixed.

Richard recommended that I put up mirrors so I can keep my eye on my clients while I work. Is that going too far?

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THE POWER OF THE NUMBER 3

I’ve got a moment to reflect on the power of 3. Spent the last 3 days recording and mixing The Outbred Inlaws. And there you have it. The album is done. They will take it to master, but my job is pretty much done. Leading up to this session they we rehearsing an average of 3 to 4 nights a week. They value a streamlined approach, they’re a band that believes in consistency and balk at distraction. This body of work is like drilling steadily for 24 minutes (the length of the CD) and only letting up at the last beat of the last song. Perfection.

Here’s another testimony about the number 3.

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ONCE, TWICE, THREE TIMES A TRIOPS and other oily messes.

Thanks for the mail. The Triops is doing fine. A little buttery right now. Apparently you don’t have to restrict it to pellet food. Tiny bits of vegetable matter or even something like… shrimp, for example. Kind of like sitting down at a restaurant to eat monkey, if you ask me, but hell, they’d eat each other given the chance. To be clear, the Triops is really small. A. gave him a little piece of shrimp. Unfortunately, it was left over from our meal and had been marinated in a delicious butter/ garlic sauce. Great for us, but in the morning I did see the oily globs floating on the surface of his tank – tray more like it. For a moment I thought, yikes, I should change the water, poor…guy-thingy, but then I smartened up and thought, if he goes out in a buttery mess, so be it. Should the Earth be invaded by crustacean beings from the outer regions of our galaxy and round us up for a butter/ garlic marinade then my only response can be, “figures.”

Onto more pressing matters. As I have never owned a Hammond organ until about a year ago, I didn’t realize that it would require an annual “oiling” – but hey, it does! And I wouldn’t blame you for thinking that I could use any old oil. But no, Hammonds only use Hammond oil. I ordered mine from St. Catharines, ON. And so, now it is oiled, both in the motor funnels and the generator. You would think that the bearing “squealing” would be done, but no, apparently it’s a slow ooze into the mechanical workings and can take up to 2 weeks to get to the necessary parts. 2 weeks! Your next guess would probably be right on the money. The friggin’ Hammond must have been designed by a watch maker!

Bingo. Celebrate with a half-price dish of battered shell fish at any conveniently located Red Lobster. YouTube Preview Image

7 DAYS Of LOVE

Well, work, really. But I’ve been getting some e-mails about how I spend all my Blog time talking about Triops or some other useless crustaceans. I don’t want to get into any debates on the legitimacy of a life form that looks as repulsive as the Triops  so I’ll just outline some work high lights from the last week and a bit.

Recorded a radio ad for the Obsidian Theatre co. Morgan Doctor provided the percussion, whirlwind session, which, oddly enough, was followed by a radio interview edit for Nik Beat. After that I began my first day of work on the Thundermonks EP. We recorded beds that weekend, I got to use my new pre-amp/ limiter. Very happy. Thanks to Lo who brought it down from Montreal when she played here with Les Handclaps (great set as usual). I have officially begun mixing Josiah’s record. I can’t believe we’re here. You have no idea. Had an amazing string session (cello/ violin) for the Hear, Comes The Cavalry record. A challenging arrangement by front man, Liam Kearney – he may deny it, but it was juicy. Rehearsed with Kirsten Jones for her upcoming CD release show. Played guitar in Prince Perry’s band for the Aquabats’ show at The Mod club. Began work on a one song recording, on location to record a grand piano for singer, Lina. Going to be a beautiful production. Then continued more Thundermonks with horns, vocals, percussion, and handclaps – can’t go wrong there.

Today, was a half day of final touches on 2 songs of mine. Older recordings,   added some tambourine, typewriter, mellotron samples and backing vocals, then I e-mailed the tracks to Richard G. Benoit to master and had them back by dinner.

THE THREE EYED MONSTER

Busy, yes. Approaching the end of the Hear, Comes The Cavalry record, ready to pick up where we left off on the Expos project and just started the Thundermonks this past weekend. Picked up some new gear, rehearsing with Kirsten Jones and playing shows with Prince Perry (again!), scheduling around construction elsewhere in our building, trying to plan some sort of vacation this summer, and busy raising a lone triops. What?

This.

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And to be a little clearer.

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GOING…GOING…GOING…GONE WITH THE WIND

Things are heating up! Well, I’m here in a concrete bunker, selecting takes on what will be a challenging, but satisfying recording project when all is said…etc…

Reading Gone With The Wind at such a slow pace that I’ve calculated that it’ll take 5 months for me to complete. I’m at 100 pages and right in the middle of a country BBQ. I’m praying for civil war so I don’t have to read about Scarlet O’Hara’s dresses anymore. Unfortunately, I’m in the process of reading other books at home, so GWTW is restricted to transit trips. My question is does it get better? Anyone?

Recently, Kirsten Jones was given the nod in a Billboard article. She is in the planning stages for her CD release show. We recently finished a successful video shoot deep in the bowels of Slaughterhouse 754 where I’m typing from right…now.

Emma-Lee has just won an Independent Music Award in the best Love Song Category for Until We Meet Again. A song that will no doubt serve as the link between Never Just A Dream and whatever musical concoction she’s working on… now.

OK, this weekend I posted a number of King Apparatus clips, home-made music videos, live bits…etc… And here they all are. This is a band I used to be in. These were among the least embarrassing videos. I’m still sifting.

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BLOW HARDS UNITE!

People ask me questions all the time.

Mitch, did I sing in tune?

Mitch, did I play in time?

Mitch,do you think this is a hit song?

Mitch, what do you want in your tea?

Well, recently I was asked something that I CAN answer. What have you been reading? Let me tell you, I rounded off a great year consuming literature with The Book Of Negroes. After that I kicked off the New Year with Sense And Sensibility And Sea Monsters. Believe it or not, very different books. Recently finished Midnight Cowboy – I like reading about hustling now and then, but what do I do to match last year’s War And Peace marathon? Pulled out the big guns and started Gone With The Wind. I’m sure it could block a bullet if need be. I keep very close to my chest. Every book has a lip, the starter’s hump. How many pages? For me it’s usually about 30 – 75. If I can make it just over then I have no problem tearing through to the end. Not quite there with Magaret Mitchell’s epic. Right now it’s mostly giving me some exercise.

On the music front… finished off 2 weeks of Expos tracking. Will continue to sort through the takes to prepare for the next sessions in February. Some of them will be off on tour with The Cavaliers followed by an Expos Tour. Busy.

I’m coming closer to mixing time with Hear, Comes The Cavalry. Ooop, Josiah is here. Later.

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