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ONE OF MANY FACES

THE MANY FACES OF RICHARD WEISDORF

 

ONE OF MANY FACES

ONE OF MANY FACES

or just one.

 

Last week, Bri-anne Swan completed the first phase of her CD launch, ending at the Orillia Opera House. She has been charting at CIUT and is the lab, so to speak, concocting plans for her next wave of promotion. Hopefully, it doesn’t involve a sandwich board.

This week, the Expos are officially releasing their CD in Newmarket, sharing the glory with their hometown. And no one else, it seems.

Pre-production began last night for the next Cavaliers CD. The whirlwind of a session included apologies, bickering, heckling and the curry scent of a half eaten roti from Ghandi’s. We recorded 4 of the members together (drums/ bass/ 2 gtrs) and then they tackled some gtr overdubs. All this was in a few takes. For the first song, I set up 3 microphones facing inwards (triangle of fear) and Britton/ Mich/ Dan sang in harmony throughout the entire number. Fortunately, there were far fewer giggles than I thought there would be. For this we used dynamic microphones to cut down on any unwanted phasing and/ or bleed. The second song was done individually as they realized that the phrasing was unclear so we switched to a condenser microphone which I prefer on their sweeter vocal lines.

Right now, Prince Perry is rehearsing in the next room as I type. He’s trying a new song with the band. We’ve had a chance to alter some chords and make it a little more of a journey. It’s a sweet song that a friend of his wrote.

I began Richard Weisdorf’s Ep this week. He brought in 2 demos recorded on his computer. We went through it replacing each track one by one, prepping a new demo to use for grant applications. Richard is quite the keyboardist. It was funny just saying “play your part” and having him do it in one take. “ok, what’s next?” Made it a very efficient session. 

Here are some notes I took with regards of some of Richard’s Issues. I titled the page, Richard’s Issues.

- singing high notes (hard to reach)

- fear of confrontation

- identifies with Dexter (TV character from show with same name – Dexter)

- Always ten steps ahead – therefor, never in the current moment

- Hears voices in his head

- Keeps secrets

 

Well, he’s paying me, so I’ll put up with it. Just look at this accurate picture (above) painted of Richard right after his pre-production session. Some people will argue that this is actually a portrait of Dr. Heinrich Stadelmann, 1922, but here at Slaughterhouse (754) we know better.

I leave you this. I’ll soon be on my way flapping through the city with my copy of The Cellist Of Sarajevo getting more and more depressed.

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No Spitting Zone

SPITTING, HORKING AND COUGHING

No Spitting Zone

A friend of mine, Richard B. speaks of public transit as if it’ll be ground zero of an inevitable zombie outbreak. Everyday I begin to believe he may be closer to the truth than I want to admit. I find myself taking in more of the gruesome details that I must have blocked out in the past. Or are transiters getting more gruesome on their own? Last week, I watched a man on the subway platform empty his nose into a garbage can using the open air-single nostril technique. This is where you use your index finger to block one nostril as you blow like burning hell through the other one. Effective, but repulsive to witness. Well, this man gave quite the show as he cleared out each nostril, but had to stem the flow of snot as it clung to his nose for dear life. He pinched it with his index finger and thumb. Great technique… no, wait, he didn’t even clean his hands, not even on his coat, Gawd!!!!

A common one these days is the open air cough. Or the no-block hack. It’s a simple way to live, just cough in whatever direction your body is pointing. It’s almost as if the hacker is clearing a path through some imaginary clutter or snow bank. Like they’re picturing each cough to be a burst of flame making their journey that much smoother as they trudge through a charred, but open landscape. Meanwhile, they’re releasing the particles of their sickness into the very air we (I) breathe, setting them on their way towards the light and into my friggin’ lungs, a—–e!

This weekend we picked up the torch on the Hear, Comes The Cavalry (HCTC) sessions. I was happy to see and hear that they were much healthier. Especially as I’m developing an acute case of germaphobia.

Finished Atonement and moved on to reading another depressing book, The Cellist Of Sarajevo. Can’t seem to stop. Stop picking downer books, I mean.

Serge and co.

NO PAIN, NO GAINSBOURG

Serge and co.

Serge and co

So much has happened, and yet, nothing really is going on.

K. and I celebrated Thanksgiving by CD shopping at Sonic Boom and The Good Will. At the Good Will I managed to push a gaggle of children out the way to get to the video selection. One of my favourite things to do is resort the videos into appropriate groups. Putting all the Austen Powers films together in chronological order, Disney re-releases of children’s classics according to original box office date. Usually Snow White wins. Star Wars? No brainer. Bruce Willis I like to break down into action and soppy. All ex-wrestler-turned-actor films next to Arnold Schwarzenegger action/ fam-elly kom-eh-dees.

I did score big with Monty Python and The Holy Grail.

The books were another matter. It would take a full day to organize those. On the children’s shelf I found a copy of John Wyndham’s The Chrysalids and something by Stephen King. What the hell are kids reading these days?

After leaving with a new selection of old sweaters we made our way to the CD shop. Oh, the sweet sound like ticker tape of hipsters flipping through rows of used CDs. This was tough to keep to a reasonable purchase. K. helped me maintain some perspective. We had a pile of a dozen or so and then after listening to a couple of them and focusing that discriminating eye we narrowed it down to 3.

The winner was Serge Gainsbourg’s Couleur Cafe. Runner’s up were Johnny Cash American III with that moving version of Nick Cave’s Mercy Seat and a re-mastered version of The Band’s Music From Big Pink. Nothing new, but my backlog of music to have at my finger tips either for reference or purely for enjoyment is extensive. At this rate, I’ll never catch up.

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Making karaoke mixes seems to be what October is about. I think people are hosting their own private little karaoke parties. Probably serving those tiny cocktail sausages. Does anyone ever dream in karaoke?

I’m on the last third of reading Atonement. Managed to finish Blindness relatively quickly after I wrestled it from K.’s hands. That is, after she finished reading it. Apparently, I’m only reading books that are thoroughly depressing and have been adapted into equally depressing films.

I’m going to listen to a little more Serge before turning in.

Goodnight.

CHANTEUSE SWAN – MAGNET OR MISTRESS OF DESTRUCTION

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My toe still throbs with a dull pain and my toe nail is slowly going black, but there are so many things to be thankful for… my life, for instance. Yesterday, I rented a car to bring some of the gear for Bri-ann Swan’s CD release show. Picked up the rental, loaded in the gear, drove home to send off files to Nicole Christian for her grant application, loaded more gear from home and then picked up the star of the show. And that’s when everything went so wrong. Within 10 minutes we found ourselves stuck at a light, the car at a stand still, smoke pouring out from under the hood as I tried to coax it to move forward. With a street car quickly approaching from behind I asked Bri-anne to take the wheel as I pushed the car out of the way.

“What do I do?”

“Huh?”

“I mean, I’ve never driven before”

Of course not. Mere machines are no match to Bri-anne’s psychic energy. Drew Barrymore in Firestarter? Nothing on our Swan.

But it could have happened to anyone, you say. Let me tell you, this is our second show I’m relating to you, but the first, the Friday previous, was threatened by the same forces of nature (a certain woman’s) that crushed the will of yesterday’s rental. Last Friday, I rented a passenger van to haul the gear and the band (minus our fearless – or rather fear inducing leader). Where was Bri-anne? Well, I received a call while loading up the vehicle. She was calling from somewhere downtown, the Go bus had succumbed to an early death and left Ms. Swan and the rest of the passengers on the roadside waiting until the replacement bus could come. We narrowly escaped finding ourselves thumbing our way to Hamilton.

Let me remind you that it was at a rehearsal for these very shows that I had a Pianet fall on my big toe. Coincidence? I’ll let you be the judge.

So I could tell you that despite missing our sound check at the Supermarket yesterday, Bri-anne Swan sang a lovely set of songs. Her voice was in fine form. Maybe it (her voice) feeds off the destruction of mechanical devices, I don’t know, but all I could do was make the sign of the cross and count my blessings.

Great opening set from Kirsten Jones, too. Whose performance was almost canceled due to sickness.

www.myspace.com/bri-anneswan

On a lighter note, Stop Drop will also be releasing their CD this week – Friday at The Reverb.

Out on Winterbeard Records. Who are those guys?

BRUISED AND/ OR BROKEN

MY TOE

 

On Monday, an incident involving a collapsing keyboard stand, a compact, but heavy Pianet Model T electric piano and the big toe on my left foot coloured the rest of my day. Well, coloured my toe, too. Unfortunately, it was my long day with the only ray of sunshine being that my last client was a doctor.
Mel’s first reaction when I removed my sock was “ew, oh my…”
And as anyone can tell you who’s had a similar injury, it could be broken or just badly bruised, and that an X-ray would only tell me which and leave me with nothing to do, but to let it heal on it’s own.
Today, now two days after the toe-ing, I tried my best not to limp to the bus stop. When I got on the bus I started brooding on it a bit and began to feel a little sorry for myself (or my toe, at least).  I was tempted to tell the pretty woman opposite me that I broke my toe when a teenage boy rang the bell and got up to leave. His left arm stopped at his elbow.
I’ll just limp to work and keep my mind shut. Pathetic.
Blue Venus had their release show last night which I missed, but not because of the toe. I look forward to listening to the CD. I got the chance to hear the unmastered mixes which sounded loveeeerrrly. How could they be anything but?
More Josiah this week and more practicing with Bri-anne Swan and hopefully no more added pain.
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AUTUMN WE DO SOME TIN ABOUT IT?

This week I’m tending to the remixing of Crookedhook’s EP. Why? Because I want to make the world a better place.

Last night I picked up Blindness (the book) and starting reading. Hey, it’s by a Portuguese guy, great, I’ll read it on the way to work. All fine until I tried to find it this morning. I shook my fist in the air and cursed K. when I realized she had taken it with her. My foray into reading something light and frothy has been pretty much bust so I decided to dive in with Blindness, full of despair and … darkness, as you can imagine. Tonight, I’ll try hiding it on her so I can sneak out with it in the morning.

“mitch…mitch…” she’ll whisper as she shakes me awake trying not to disturb A., “have you seen my book?”

“wha– uh… no, what book is that? hey, what time is it…” and so on.

Soooo, what DID you read this morning, Mitch? The Long and McQuade’s catalogue. Came in the mail today. It’s a light form of torture. Everything appears as something you would want, so I made a mental list of all the things I was going to purchase. By the time I got on the subway I had crumpled up the list and tossed it somewhere into that part of the brain that I don’t use. It’s vast. Hell, I’ll never access it there unless I get a brain injury or sleep on my left side for too long, in which case, I may be found mumbling a list of crappy microphones and their made-in-china prices while drooling into my warm cereal one morning while a lovely, but under paid nurse will be wiping my chin and referring to me as Mister Geeroo. I can’t wait.

Monday was tricky because I was out playing at a songwriter’s round (the night before) which had the bonus offer of free drinks. As I am without a car and I had to scrape the inside of my cranium to croak out what lyrics I never memorized in the first place, I decided to take full advantage of the beverages. I was drunk before I finished the first one. And happy. It had felt like a hard weekend following a tough week, I deserved it, right? By the end of the night I was able to stumble onto the transit with amp and bass in hand(s) and make what must have been the final subway train. I was “happy” enough to have handled the Vomit Comet if necessary, but I was relieved to make that train. On it, a couple was tearing through a McDonald’s meal, occasionally, the guy hugged his girlfriend (I’m assuming) and smothered her with kisses while she clumsily brushed him off preferring the crispy fries instead. I think they must have been a little drunk, too, or very pre-occupied because it took quite a while until they noticed me staring at them. They looked up in surprise to see my expression of absolute disgust. I sometimes can make faces that people interpret as judging, critical or something just this side of unpleasant, but at this point in time, I was indeed giving them the “how pathetic” stare, like I could smell their scent and found it quite unpleasant. After a bit, the guy returned to his fondling and she to her digging in. 

I’m sure they satisfy each other in every way, but this was far from consoling when I had to navigate my Monday with a pulsing pain directly behind my eyes for 12 hours.

Yesterday, I started it off with a fresh hair cut from the barber across the street. I walked towards the shop from my side of the street. The barber, George, was standing there, leaning against the door. We nodded to each other and I entered. 

“Lovely weather we’re having, no?” says George as he brushed off a chair for me.

“Yes… very warm.”

“It’s great for watching the beautiful girls go by.”  George intimates this while selecting from a wide variety of razor sharp scissors.

“uh…sure”

“Lots of nice, big tits…”

“Hey, I work across the street from you…” and I deftly steer us into talk about the meat shop that used to be here where I’m typing from now. By the time my haircut was done, I was beginning to think that George must be an expert. I’m referring to breast watching, of course. He’s been here for 45 years. He must have developed quite the eye for mammaries. Of course, I’m not sure what he could do with that skill other than continue watching them go by and comparing them to 45 years worth of other breasts he’s ogled. Well, anyway, he seemed quite happy with the announcement, so I can only assume that he’s satisfied with this role. I’ll see what happens with the next hair cut.

Back to remixing.

 

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Starship 4000

CAFFEINE. NAUSEA. EXHAUSTION.

 

Starship 4000

Starship 4000

 

 

I was able to squeeze in a trip to the C.N.E. just before it shut it’s doors for the year. Watching the pocket book we decided that I would get the ride wristband to accompany A. This was not my choice. I can do without the rides. My stomach likes to move along with me at a gradual pace. Sloth-like. Thankfully we charged at most of the rides before lunch, taking advantage of smaller lines and giving my tummy less of an excuse to send me any mixed signals. My luck ended at Starship 4000. If you’re not familiar with it, it’s in the shape of a flying saucer. The idea being that you lean back on a board on the wall facing in (like a roulette wheel) and then as the friggin structure spins you’re pushed back forcing you to feel giddy with laughter as the board you’re pressed to slams up to the ceiling. This is the way A. took it. Me? I felt like my innards were getting pushed up into my throat (snack included) so I had difficulty breathing. I tried not to look too alarmed feebly trying to appear as if this sort of thing happens everyday. When the Starship slowed to a stop I was the last one out, leaning on the doorway and then weaving to the gate. My brain, addled. All day I said things like, “I’m messed up… I’m really not feeling right…”  I was reminding myself of teenage girls I knew in high school who would announce that they’re soooooo drunk at a party, extending their arms out and then trying to touch their nose or walking in a crooked line to prove that they crossed that invisible boundary into lush-itude.

Goodbye C.N.E.

Yesterday was the first day of the school year. I bumped into so many happy and relieved parents in the morning, but my rhythm was off and I went to work (a long day), but forgot to pack a sufficient supply of food. By mid-day I was feeling a little shaky. In the early evening I had a meeting with Nicole Christian and she brought me coffee. I’ve been doing without for a little while, but I couldn’t turn down the cup, even on an empty tomach. After that I went back to my re-mixing/ re-mastering of Shawn Sage’s One Of The Good Guys CD (2003). It was a relief to rework it – even as quickly as I was running through it, but as the day/ night went on, the more out of sorts I felt. To top it off, I had finished reading Bridge To Terabithia that morning. I was soooo depressed by 11pm, I’m surprised I made it home.

Today is a short day. I brought food and tea. And a new (funny) book. Well, it’s got to be funnier.

Half of this week will be spent writing. I wish I could say that every week.

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LAST SHOW WITH PRINCE PERRY?

Tonight I’ll be playing (lead) guitar for Prince Perry – perhaps for the last time. I’ve been mistaken before, but we’re now at the point when it’s time to pass on the Heavy Duty-duty to the next sucker. Having faked my way through playing lead (gitter) for the last several months I’m more than happy to shift my role to the more comfortable “behind the scenes” . That’s where the couch is, right?

We’ll be bouncing through Prince Perry’s repertoire tonight at Mitzi’s Sister around 10pm.  I’ll be crying at the bar all the way up until that magic moment, if you’re looking for me. No better way to celebrate the official release of the CD that we worked so hard to make. Wait. Did we work hard on that one? Whatever.

Bri-anne Swan’s CDs have come in with some room to spare before her release shows. More on that later.

Working on a few projects that are more indirectly related to recording. More on that later.

My arm pits? More on that later, too.

Checking out a studio today to look at as a potential location for the next Cavaliers recording – this is before I head straight to the bar to weep. I love looking at places that have more equipment than we do. It’s like window shopping in the Fall when all the brown jackets come out. Love the browns. Although I think this place will have less on the “brown”, more on the blinking lights. The Christmas tree effect is very important, I’ve been told.

Searching for a vacuum cleaner at the moment. Anyone thinking of getting rid of theirs, consider me, please. I’ve got plans, let me tell you.

More on that later.

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CONSIDER YOURSELF CUDDIFIED

It’s the end of August, much cooler than expected. Back from a vacation where we camped by Huntsville and then close to Hamilton. I failed to maintain a journal. Gave up reading when I dropped my book in the lake while canoing. Gave up changing my clothes when I realized I’d forgotten to pack underwear. One memorable evening we spent sprawled out on a flat rock ahead of some rapids, feet away from a Heron poking around for fish while bats swooped by us catching insects just off the water.

Before the vacation, I was up to my eyeballs in the mixing end of the Stop Drop CD. The files were emailed out as we were packing on the Sunday.  Richard G. Benoit mastered and settled on the pacing with the band over the week. Working their magic.

Somewhere in the middle of all that I had the privilege to attend a session for Kirsten Jones’ CD at Blue Rodeo’s Woodshed Studio. It was a vocal overdubbing of Jim Cuddy for a duet with Kirsten. She had already done her part and Jim was laying down his distinctive Cuddy-ness. This is fresh in my mind in part because Kirsten and I got to sift through his takes today, giggling when he swore. Unfortunately, not often enough. Friggin professional. The song in question always seemed to be a simple one to me, but when we tried tackling the backing vocals early on I gave the job a try and found myself unable to rise to the task. Kirsten’s tricky phrasing is what makes the performance bubble to the top and that’s why she’s had Kevin Zarnett, Gary Louris, Suzie Ungerleider (Oh Susanna) and now, Jim Cuddy doing the tougher backing  vocal and/or duet duties. They can really sing and they all have ears fit for elephants. Wait. Do elephants really have big ears or just monstrous flaps?

No time to find out. Pushing on.

This week I’m on to the neglected projects. Prince Perry will be officially celebrating the completion of his CD at Mitzi’s Sister this Thursday evening. If I’m lucky, I’ll be drunk, but I have the feeling that I’ll be stone sober.

Listening to Brian Eno. Family is asleep. Will read before passing out. Most likely my water-damaged paperback.

And Bobbie Gentry will take us out of here. What a string arrangement!

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PINTS OF BLOOD AND HANGING OUT IN AYLMER, ONTARIO

Had a last minute opportunity to tag along with the Cavaliers to play percussion for their set at Fred Eaglesmith’s Festival in Aylmer, Ontario. Their drummer couldn’t make it so they toned down the sound and very luckily a friend (and a great – a real – percussionist), Dave Gould was there, too. I asked him to bring his Cajone and some other percussive surprises. The fire bell counted as such, and the band loved it. Dave and I smashed stuff while they played their more subdued set, giggling half the time as bangles flew off the tambourine and trying to guess what percussion to play as the next song would start. The result was a more intimate set of music from the Cavaliers allowing them to let the words and melody sit on top of the mix and a great opportunity to let the harmonies melt into the open air. Their penchant for cranking up their amps when when backed up by a full drum kit brings about a different experience, however, last night their approach reeled the audience in with little effort.

After the concert people scattered to the various campgrounds to begin playing music by firelight until 4am. Pariselli (Cavaliers) managed to wound himself by forceably removing the cork from a wine bottle. The result left a bloody right eye. He looked better by morning.

K. and I brought a tent that we hadn’t set up in 10 years. We didn’t have a chance to air it out as it was so last minute. You can imagine, it was something to breathe in when we set it up in the near dark. Turns out, I was never able to lie straight across it – or I’ve grown another foot in the past decade. I spent the evening in an awkward position, flipping over every so often to relieve the hip.

Woke up – semi rested and was greeted by a scheduled parade through the campgrounds led by Washboard Hank – a parade drum strapped to his back, ropes leading down to his feet, one to work the drum, one for the cymbal. He played The Flintstones Theme on banjo while leading a line of children and their stunned parents like he was a junkyard Pied Piper.

Returning to the Slaughterhouse on Sunday to finish recording Stop Drop I found a voice mail asking if we sell pints of beef blood.

The answer is no.

Here’s Bjork in a bell dress. Of course.

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