CHANTEUSE SWAN – MAGNET OR MISTRESS OF DESTRUCTION

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My toe still throbs with a dull pain and my toe nail is slowly going black, but there are so many things to be thankful for… my life, for instance. Yesterday, I rented a car to bring some of the gear for Bri-ann Swan’s CD release show. Picked up the rental, loaded in the gear, drove home to send off files to Nicole Christian for her grant application, loaded more gear from home and then picked up the star of the show. And that’s when everything went so wrong. Within 10 minutes we found ourselves stuck at a light, the car at a stand still, smoke pouring out from under the hood as I tried to coax it to move forward. With a street car quickly approaching from behind I asked Bri-anne to take the wheel as I pushed the car out of the way.

“What do I do?”

“Huh?”

“I mean, I’ve never driven before”

Of course not. Mere machines are no match to Bri-anne’s psychic energy. Drew Barrymore in Firestarter? Nothing on our Swan.

But it could have happened to anyone, you say. Let me tell you, this is our second show I’m relating to you, but the first, the Friday previous, was threatened by the same forces of nature (a certain woman’s) that crushed the will of yesterday’s rental. Last Friday, I rented a passenger van to haul the gear and the band (minus our fearless – or rather fear inducing leader). Where was Bri-anne? Well, I received a call while loading up the vehicle. She was calling from somewhere downtown, the Go bus had succumbed to an early death and left Ms. Swan and the rest of the passengers on the roadside waiting until the replacement bus could come. We narrowly escaped finding ourselves thumbing our way to Hamilton.

Let me remind you that it was at a rehearsal for these very shows that I had a Pianet fall on my big toe. Coincidence? I’ll let you be the judge.

So I could tell you that despite missing our sound check at the Supermarket yesterday, Bri-anne Swan sang a lovely set of songs. Her voice was in fine form. Maybe it (her voice) feeds off the destruction of mechanical devices, I don’t know, but all I could do was make the sign of the cross and count my blessings.

Great opening set from Kirsten Jones, too. Whose performance was almost canceled due to sickness.

www.myspace.com/bri-anneswan

On a lighter note, Stop Drop will also be releasing their CD this week – Friday at The Reverb.

Out on Winterbeard Records. Who are those guys?

BRUISED AND/ OR BROKEN

MY TOE

 

On Monday, an incident involving a collapsing keyboard stand, a compact, but heavy Pianet Model T electric piano and the big toe on my left foot coloured the rest of my day. Well, coloured my toe, too. Unfortunately, it was my long day with the only ray of sunshine being that my last client was a doctor.
Mel’s first reaction when I removed my sock was “ew, oh my…”
And as anyone can tell you who’s had a similar injury, it could be broken or just badly bruised, and that an X-ray would only tell me which and leave me with nothing to do, but to let it heal on it’s own.
Today, now two days after the toe-ing, I tried my best not to limp to the bus stop. When I got on the bus I started brooding on it a bit and began to feel a little sorry for myself (or my toe, at least).  I was tempted to tell the pretty woman opposite me that I broke my toe when a teenage boy rang the bell and got up to leave. His left arm stopped at his elbow.
I’ll just limp to work and keep my mind shut. Pathetic.
Blue Venus had their release show last night which I missed, but not because of the toe. I look forward to listening to the CD. I got the chance to hear the unmastered mixes which sounded loveeeerrrly. How could they be anything but?
More Josiah this week and more practicing with Bri-anne Swan and hopefully no more added pain.
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AUTUMN WE DO SOME TIN ABOUT IT?

This week I’m tending to the remixing of Crookedhook’s EP. Why? Because I want to make the world a better place.

Last night I picked up Blindness (the book) and starting reading. Hey, it’s by a Portuguese guy, great, I’ll read it on the way to work. All fine until I tried to find it this morning. I shook my fist in the air and cursed K. when I realized she had taken it with her. My foray into reading something light and frothy has been pretty much bust so I decided to dive in with Blindness, full of despair and … darkness, as you can imagine. Tonight, I’ll try hiding it on her so I can sneak out with it in the morning.

“mitch…mitch…” she’ll whisper as she shakes me awake trying not to disturb A., “have you seen my book?”

“wha– uh… no, what book is that? hey, what time is it…” and so on.

Soooo, what DID you read this morning, Mitch? The Long and McQuade’s catalogue. Came in the mail today. It’s a light form of torture. Everything appears as something you would want, so I made a mental list of all the things I was going to purchase. By the time I got on the subway I had crumpled up the list and tossed it somewhere into that part of the brain that I don’t use. It’s vast. Hell, I’ll never access it there unless I get a brain injury or sleep on my left side for too long, in which case, I may be found mumbling a list of crappy microphones and their made-in-china prices while drooling into my warm cereal one morning while a lovely, but under paid nurse will be wiping my chin and referring to me as Mister Geeroo. I can’t wait.

Monday was tricky because I was out playing at a songwriter’s round (the night before) which had the bonus offer of free drinks. As I am without a car and I had to scrape the inside of my cranium to croak out what lyrics I never memorized in the first place, I decided to take full advantage of the beverages. I was drunk before I finished the first one. And happy. It had felt like a hard weekend following a tough week, I deserved it, right? By the end of the night I was able to stumble onto the transit with amp and bass in hand(s) and make what must have been the final subway train. I was “happy” enough to have handled the Vomit Comet if necessary, but I was relieved to make that train. On it, a couple was tearing through a McDonald’s meal, occasionally, the guy hugged his girlfriend (I’m assuming) and smothered her with kisses while she clumsily brushed him off preferring the crispy fries instead. I think they must have been a little drunk, too, or very pre-occupied because it took quite a while until they noticed me staring at them. They looked up in surprise to see my expression of absolute disgust. I sometimes can make faces that people interpret as judging, critical or something just this side of unpleasant, but at this point in time, I was indeed giving them the “how pathetic” stare, like I could smell their scent and found it quite unpleasant. After a bit, the guy returned to his fondling and she to her digging in. 

I’m sure they satisfy each other in every way, but this was far from consoling when I had to navigate my Monday with a pulsing pain directly behind my eyes for 12 hours.

Yesterday, I started it off with a fresh hair cut from the barber across the street. I walked towards the shop from my side of the street. The barber, George, was standing there, leaning against the door. We nodded to each other and I entered. 

“Lovely weather we’re having, no?” says George as he brushed off a chair for me.

“Yes… very warm.”

“It’s great for watching the beautiful girls go by.”  George intimates this while selecting from a wide variety of razor sharp scissors.

“uh…sure”

“Lots of nice, big tits…”

“Hey, I work across the street from you…” and I deftly steer us into talk about the meat shop that used to be here where I’m typing from now. By the time my haircut was done, I was beginning to think that George must be an expert. I’m referring to breast watching, of course. He’s been here for 45 years. He must have developed quite the eye for mammaries. Of course, I’m not sure what he could do with that skill other than continue watching them go by and comparing them to 45 years worth of other breasts he’s ogled. Well, anyway, he seemed quite happy with the announcement, so I can only assume that he’s satisfied with this role. I’ll see what happens with the next hair cut.

Back to remixing.

 

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Starship 4000

CAFFEINE. NAUSEA. EXHAUSTION.

 

Starship 4000

Starship 4000

 

 

I was able to squeeze in a trip to the C.N.E. just before it shut it’s doors for the year. Watching the pocket book we decided that I would get the ride wristband to accompany A. This was not my choice. I can do without the rides. My stomach likes to move along with me at a gradual pace. Sloth-like. Thankfully we charged at most of the rides before lunch, taking advantage of smaller lines and giving my tummy less of an excuse to send me any mixed signals. My luck ended at Starship 4000. If you’re not familiar with it, it’s in the shape of a flying saucer. The idea being that you lean back on a board on the wall facing in (like a roulette wheel) and then as the friggin structure spins you’re pushed back forcing you to feel giddy with laughter as the board you’re pressed to slams up to the ceiling. This is the way A. took it. Me? I felt like my innards were getting pushed up into my throat (snack included) so I had difficulty breathing. I tried not to look too alarmed feebly trying to appear as if this sort of thing happens everyday. When the Starship slowed to a stop I was the last one out, leaning on the doorway and then weaving to the gate. My brain, addled. All day I said things like, “I’m messed up… I’m really not feeling right…”  I was reminding myself of teenage girls I knew in high school who would announce that they’re soooooo drunk at a party, extending their arms out and then trying to touch their nose or walking in a crooked line to prove that they crossed that invisible boundary into lush-itude.

Goodbye C.N.E.

Yesterday was the first day of the school year. I bumped into so many happy and relieved parents in the morning, but my rhythm was off and I went to work (a long day), but forgot to pack a sufficient supply of food. By mid-day I was feeling a little shaky. In the early evening I had a meeting with Nicole Christian and she brought me coffee. I’ve been doing without for a little while, but I couldn’t turn down the cup, even on an empty tomach. After that I went back to my re-mixing/ re-mastering of Shawn Sage’s One Of The Good Guys CD (2003). It was a relief to rework it – even as quickly as I was running through it, but as the day/ night went on, the more out of sorts I felt. To top it off, I had finished reading Bridge To Terabithia that morning. I was soooo depressed by 11pm, I’m surprised I made it home.

Today is a short day. I brought food and tea. And a new (funny) book. Well, it’s got to be funnier.

Half of this week will be spent writing. I wish I could say that every week.

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LAST SHOW WITH PRINCE PERRY?

Tonight I’ll be playing (lead) guitar for Prince Perry – perhaps for the last time. I’ve been mistaken before, but we’re now at the point when it’s time to pass on the Heavy Duty-duty to the next sucker. Having faked my way through playing lead (gitter) for the last several months I’m more than happy to shift my role to the more comfortable “behind the scenes” . That’s where the couch is, right?

We’ll be bouncing through Prince Perry’s repertoire tonight at Mitzi’s Sister around 10pm.  I’ll be crying at the bar all the way up until that magic moment, if you’re looking for me. No better way to celebrate the official release of the CD that we worked so hard to make. Wait. Did we work hard on that one? Whatever.

Bri-anne Swan’s CDs have come in with some room to spare before her release shows. More on that later.

Working on a few projects that are more indirectly related to recording. More on that later.

My arm pits? More on that later, too.

Checking out a studio today to look at as a potential location for the next Cavaliers recording – this is before I head straight to the bar to weep. I love looking at places that have more equipment than we do. It’s like window shopping in the Fall when all the brown jackets come out. Love the browns. Although I think this place will have less on the “brown”, more on the blinking lights. The Christmas tree effect is very important, I’ve been told.

Searching for a vacuum cleaner at the moment. Anyone thinking of getting rid of theirs, consider me, please. I’ve got plans, let me tell you.

More on that later.

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CONSIDER YOURSELF CUDDIFIED

It’s the end of August, much cooler than expected. Back from a vacation where we camped by Huntsville and then close to Hamilton. I failed to maintain a journal. Gave up reading when I dropped my book in the lake while canoing. Gave up changing my clothes when I realized I’d forgotten to pack underwear. One memorable evening we spent sprawled out on a flat rock ahead of some rapids, feet away from a Heron poking around for fish while bats swooped by us catching insects just off the water.

Before the vacation, I was up to my eyeballs in the mixing end of the Stop Drop CD. The files were emailed out as we were packing on the Sunday.  Richard G. Benoit mastered and settled on the pacing with the band over the week. Working their magic.

Somewhere in the middle of all that I had the privilege to attend a session for Kirsten Jones’ CD at Blue Rodeo’s Woodshed Studio. It was a vocal overdubbing of Jim Cuddy for a duet with Kirsten. She had already done her part and Jim was laying down his distinctive Cuddy-ness. This is fresh in my mind in part because Kirsten and I got to sift through his takes today, giggling when he swore. Unfortunately, not often enough. Friggin professional. The song in question always seemed to be a simple one to me, but when we tried tackling the backing vocals early on I gave the job a try and found myself unable to rise to the task. Kirsten’s tricky phrasing is what makes the performance bubble to the top and that’s why she’s had Kevin Zarnett, Gary Louris, Suzie Ungerleider (Oh Susanna) and now, Jim Cuddy doing the tougher backing  vocal and/or duet duties. They can really sing and they all have ears fit for elephants. Wait. Do elephants really have big ears or just monstrous flaps?

No time to find out. Pushing on.

This week I’m on to the neglected projects. Prince Perry will be officially celebrating the completion of his CD at Mitzi’s Sister this Thursday evening. If I’m lucky, I’ll be drunk, but I have the feeling that I’ll be stone sober.

Listening to Brian Eno. Family is asleep. Will read before passing out. Most likely my water-damaged paperback.

And Bobbie Gentry will take us out of here. What a string arrangement!

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PINTS OF BLOOD AND HANGING OUT IN AYLMER, ONTARIO

Had a last minute opportunity to tag along with the Cavaliers to play percussion for their set at Fred Eaglesmith’s Festival in Aylmer, Ontario. Their drummer couldn’t make it so they toned down the sound and very luckily a friend (and a great – a real – percussionist), Dave Gould was there, too. I asked him to bring his Cajone and some other percussive surprises. The fire bell counted as such, and the band loved it. Dave and I smashed stuff while they played their more subdued set, giggling half the time as bangles flew off the tambourine and trying to guess what percussion to play as the next song would start. The result was a more intimate set of music from the Cavaliers allowing them to let the words and melody sit on top of the mix and a great opportunity to let the harmonies melt into the open air. Their penchant for cranking up their amps when when backed up by a full drum kit brings about a different experience, however, last night their approach reeled the audience in with little effort.

After the concert people scattered to the various campgrounds to begin playing music by firelight until 4am. Pariselli (Cavaliers) managed to wound himself by forceably removing the cork from a wine bottle. The result left a bloody right eye. He looked better by morning.

K. and I brought a tent that we hadn’t set up in 10 years. We didn’t have a chance to air it out as it was so last minute. You can imagine, it was something to breathe in when we set it up in the near dark. Turns out, I was never able to lie straight across it – or I’ve grown another foot in the past decade. I spent the evening in an awkward position, flipping over every so often to relieve the hip.

Woke up – semi rested and was greeted by a scheduled parade through the campgrounds led by Washboard Hank – a parade drum strapped to his back, ropes leading down to his feet, one to work the drum, one for the cymbal. He played The Flintstones Theme on banjo while leading a line of children and their stunned parents like he was a junkyard Pied Piper.

Returning to the Slaughterhouse on Sunday to finish recording Stop Drop I found a voice mail asking if we sell pints of beef blood.

The answer is no.

Here’s Bjork in a bell dress. Of course.

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IT SEEMS SO DIFFICULT

GRUMPY OLD MAN, LIGHTNING AND ONE TIRED MOOSE

Last night I went to see Labrynth with Emma-Lee. She grew up raised on the milk of muppetry by wizards in tight pants (too tight Mr. Bowie, too tight). I enjoyed the visual effects enough to almost ignore Jennifer Connelly’s eager delivery, but it’s impossible to not notice David Bowie’s package as the audience sniggered every time he was on screen. Some of the illusions and effects reminded me of Cocteau’s Beauty And The Beast.

Last week I was getting off the street car and an old man next me got his arm trapped in the door. I stepped towards him to pry him the closed doors open, but he managed to tear his arm out. I was going to ask him how he was, but he let out a long line of expletives “God damn, f—–g a—–e, mother….” So I walked away from the friggin crazy old bird.

Are you nervous about freak lightning strikes now?

This morning we rushed out of bed (woke up a little late for K. – 6:30) so I cranked up the radio and heard this story about some kids suspected of chasing a moose on their bikes until it ran to utter exhaustion and was found lying on the ground. The authorities put it out of it’s misery. When questioned, the boys denied taunting the moose claiming that they had been vandalizing a church at the time… 

Picked up Local Girls by Alice Hoffman and went to work which is where I am now listening to rough mixes and drinking some Earl Grey. 

I was contacted a while by this amazing singer in England and though the project didn’t pan out for me it did set in motion the idea of how much I’d like to go to England to work – even if for just a little while. So I’m sending that energy out right now.

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ARTISTS THAT GíRIO HAS PLAYED BASS WITH LIVE

mitch bassLo And The Magnetics
King Apparatus
Microbunny
Tamara Williamson
Kirsten Jones
Jonathan Seet
Clara Engel
King Cobb Steelie
Shawn Sage
Arthur Renwick
Shawn Glynn
Blue Venus
Prince Perry